{"id":873,"date":"2026-06-28T22:03:05","date_gmt":"2026-06-28T20:03:05","guid":{"rendered":"https:\/\/horscadre.paris\/masterpieces\/"},"modified":"2026-09-02T21:36:51","modified_gmt":"2026-09-02T19:36:51","slug":"gallery","status":"publish","type":"page","link":"https:\/\/horscadre.paris\/en\/gallery\/","title":{"rendered":"Masterpieces"},"content":{"rendered":"
Room 01<\/span>

1450-1500<\/h2>6 works<\/span><\/div>
\"La<\/div>
The Lady with the Ermine \u2014 The Milan Portrait<\/div>
v. 1489-1490<\/div><\/div><\/a>
\"La<\/div>
The Last Supper \u2014 Milan’s Masterpiece<\/div>
1495-1498<\/div><\/div><\/a>
\"La<\/div>
The Piet\u00e0 \u2014 Michelangelo’s early masterpiece<\/div>
1498-1499<\/div><\/div><\/a>
\"Le<\/div>
“Spring” \u2014 Botticelli’s “Garden of Venus”<\/div>
v. 1478-1482<\/div><\/div><\/a>
\"La<\/div>
“The Slander of Apelles” \u2014 Botticelli’s Bitter Work<\/div>
v. 1494-1495<\/div><\/div><\/a>
\"Sandro<\/div>
The Birth of Venus \u2014 Botticelli’s Pagan Dream<\/div>
v. 1485<\/div><\/div><\/a><\/div>
Room 02<\/span>

1501-1550<\/h2>10 works<\/span><\/div>
\"La<\/div>
The Mona Lisa \u2014 the world’s most famous smile<\/div>
v. 1503-1519<\/div><\/div><\/a>
\"L'\u00c9cole<\/div>
The School of Athens \u2014 Raphael’s Humanist Masterpiece<\/div>
1509-1511<\/div><\/div><\/a>
\"La<\/div>
The Sistine Madonna \u2014 Raphael’s Celestial Vision<\/div>
v. 1512-1514<\/div><\/div><\/a>
\"Portrait<\/div>
The Portrait of Baldassare Castiglione \u2014 The Pinnacle of Portraiture According to Raphael<\/div>
v. 1514-1515<\/div><\/div><\/a>
\"Le<\/div>
David\u2014Michelangelo’s marble hero<\/div>
1501-1504<\/div><\/div><\/a>
\"La<\/div>
The ceiling of the Sistine Chapel\u2014Michelangelo’s “Heaven”<\/div>
1508-1512<\/div><\/div><\/a>
\"Le<\/div>
The Miracle of the Slave \u2014 Tintoretto<\/div>
1548<\/div><\/div><\/a>
\"L'Assomption<\/div>
The Assumption of the Virgin \u2014 Titian<\/div>
1516-1518<\/div><\/div><\/a>
\"La<\/div>
The Venus of Urbino \u2014 Titian<\/div>
1538<\/div><\/div><\/a>
\"Charles<\/div>
Charles V on Horseback \u2014 Titian<\/div>
1548<\/div><\/div><\/a><\/div>
Room 03<\/span>

1551-1600<\/h2>6 works<\/span><\/div>
\"La<\/div>
The Calling of Saint Matthew\u2014When Caravaggio Puts God in a Tavern<\/div>
1600<\/div><\/div><\/a>
\"La<\/div>
The Crucifixion \u2014 Tintoretto<\/div>
1565<\/div><\/div><\/a>
\"La<\/div>
The Last Supper \u2014 Tintoretto<\/div>
1592-1594<\/div><\/div><\/a>
\"Les<\/div>
The Wedding at Cana \u2014 Veronese<\/div>
1562-1563<\/div><\/div><\/a>
\"Le<\/div>
The Feast in the House of Levi \u2014 Veronese<\/div>
1573<\/div><\/div><\/a>
\"Le<\/div>
The Triumph of Venice \u2014 Veronese<\/div>
vers 1582<\/div><\/div><\/a><\/div>
Room 04<\/span>

1601-1650<\/h2>3 works<\/span><\/div>
\"Saint<\/div>
Saint Jerome Writing \u2014 Caravaggio to His Savior<\/div>
1605-1606<\/div><\/div><\/a>
\"La<\/div>
The Night Watch \u2014 The Revolution in Group Portraiture<\/div>
1642<\/div><\/div><\/a>
\"Les<\/div>
The Shepherds of Arcadia \u2014 Death in Paradise, by Poussin<\/div>
v. 1637-1638<\/div><\/div><\/a><\/div>
Room 05<\/span>

1651-1700<\/h2>4 works<\/span><\/div>
\"Bethsab\u00e9e<\/div>
Bathsheba at Her Bath \u2014 Hendrickje, Rembrandt’s Model and Muse<\/div>
1654<\/div><\/div><\/a>
\"La<\/div>
“Girl with a Pearl Earring” \u2014 the “Mona Lisa of the North”<\/div>
vers 1665<\/div><\/div><\/a>
\"La<\/div>
The Lacemaker \u2014 Vermeer’s Smallest Masterpiece<\/div>
vers 1669-1670<\/div><\/div><\/a>
\"L'Enl\u00e8vement<\/div>
The Rape of the Sabine Women \u2014 Poussin\u2019s Controlled Chaos<\/div>
v. 1637-1638<\/div><\/div><\/a><\/div>
Room 06<\/span>

1801-1850<\/h2>10 works<\/span><\/div>
\"Le<\/div>
The Sower \u2014 the painting by Millet that Van Gogh painted throughout his life<\/div>
1850<\/div><\/div><\/a>
\"La<\/div>
Liberty Leading the People \u2014 Delacroix\u2019s iconic painting<\/div>
1830<\/div><\/div><\/a>
\"La<\/div>
The Death of Sardanapalus \u2014 Delacroix’s Romantic Scandal<\/div>
1827<\/div><\/div><\/a>
\"Un<\/div>
A Funeral in Ornans \u2014 The Manifesto of Realism<\/div>
1849-1850<\/div><\/div><\/a>
\"La<\/div>
The Grande Odalisque \u2014 Ingres\u2019s Ideal Line<\/div>
1814<\/div><\/div><\/a>
\"Portrait<\/div>
The Portrait of Monsieur Bertin \u2014 Ingres\u2019s Triumphant Bourgeois<\/div>
1832<\/div><\/div><\/a>
\"Le<\/div>
The Last Voyage of the Temeraire \u2014 Turner (1839)<\/div>
1838-1839<\/div><\/div><\/a>
\"La<\/div>
The Great Wave off Kanagawa \u2014 Hokusai<\/div>
vers 1831<\/div><\/div><\/a>
\"Le<\/div>
The Slave Trader \u2014 Turner<\/div>
1840<\/div><\/div><\/a>
\"Pluie,<\/div>
Rain, Steam, and Speed \u2014 Turner (1844)<\/div>
1844<\/div><\/div><\/a><\/div>
Room 07<\/span>

1851-1900<\/h2>34 works<\/span><\/div>
\"La<\/div>
“Starry Night” \u2014 A Study of a Sky Imagined by Van Gogh<\/div>
1889<\/div><\/div><\/a>
\"Les<\/div>
The Potato Eaters \u2014 the work Van Gogh defended throughout his life<\/div>
1885<\/div><\/div><\/a>
\"L'Ang\u00e9lus,<\/div>
The Angelus \u2014 How a 55-cm Painting Turned the French Art Market on Its Head<\/div>
1857-1859<\/div><\/div><\/a>
\"Impression,<\/div>
Impression, Sunrise\u2014the painting that derisively christened a century<\/div>
1872<\/div><\/div><\/a>
\"Coquelicots,<\/div>
Poppies \u2014 the painting in which Monet took his first step toward abstraction<\/div>
1873<\/div><\/div><\/a>
\"La<\/div>
“La Berg\u00e8re” \u2014 the Pissarro painting that took twenty-nine years to sell<\/div>
1881<\/div><\/div><\/a>
\"Boulevard<\/div>
Boulevard Montmartre, a Winter Morning \u2014 How Pissarro\u2019s Eye Condition Led to His Urban Paintings<\/div>
1897<\/div><\/div><\/a>
\"D'o\u00f9<\/div>
Where do we come from? What are we? Where are we going? \u2014 the work a man painted so he could die<\/div>
1897-1898<\/div><\/div><\/a>
\"La<\/div>
La Belle Ang\u00e8le \u2014 the portrait that its subject rejected but that Degas hailed as a masterpiece<\/div>
1889<\/div><\/div><\/a>
\"Le<\/div>
“Luncheon on the Grass” \u2014 the painting that made everything possible<\/div>
1862-1863<\/div><\/div><\/a>
\"Olympia,<\/div>
Olympia \u2014 Victorine, Laure, and the Scandal of the 1865 Salon<\/div>
1863<\/div><\/div><\/a>
\"Le<\/div>
Le Berceau \u2014 the forerunner of Impressionism<\/div>
1872<\/div><\/div><\/a>
\"Eug\u00e8ne<\/div>
Eug\u00e8ne Manet on the Isle of Wight \u2014 the painter’s portrait of her husband<\/div>
1875<\/div><\/div><\/a>
\"Le<\/div>
Bathing the Child \u2014 Motherhood Reimagined Through Japanese Prints<\/div>
1893<\/div><\/div><\/a>
\"Petite<\/div>
Little Girl in a Blue Armchair \u2014 The Painting of Scandal and Freedom<\/div>
1878<\/div><\/div><\/a>
\"L'Absinthe<\/div>
Absinthe \u2014 The Visual Representation of Modern Solitude<\/div>
1875-1876<\/div><\/div><\/a>
\"La<\/div>
The Fourteen-Year-Old Little Dancer \u2014 The Ultimate Scandal in Modern Sculpture<\/div>
1880-1881 (cire originale) ; 1922 (bronze Orsay)<\/div><\/div><\/a>
\"Le<\/div>
“The Dance at the Moulin de la Galette” \u2014 the icon of joyful Impressionism<\/div>
1876<\/div><\/div><\/a>
\"Jeunes<\/div>
Young Girls at the Piano \u2014 Renoir’s First Official Commission<\/div>
1892<\/div><\/div><\/a>
\"Les<\/div>
The Card Players \u2014 C\u00e9zanne\u2019s Silent Gravity<\/div>
1894-1895<\/div><\/div><\/a>
\"La<\/div>
Mount Sainte-Victoire \u2014 A Lifelong Obsession<\/div>
1882-1906<\/div><\/div><\/a>
\"Au<\/div>
At the Moulin Rouge \u2014 Night Life According to Toulouse-Lautrec<\/div>
1892-1895<\/div><\/div><\/a>
\"Affiche<\/div>
Moulin Rouge, La Goulue \u2014 The Poster That Pioneered an Art Form<\/div>
1891<\/div><\/div><\/a>
\"Un<\/div>
La Grande Jatte \u2014 The Manifesto of Pointillism<\/div>
1884-1886<\/div><\/div><\/a>
\"Le<\/div>
The Circus \u2014 Seurat’s final, unfinished work<\/div>
1890-1891 (inachev\u00e9)<\/div><\/div><\/a>
\"Portrait<\/div>
The Portrait of F\u00e9lix F\u00e9n\u00e9on \u2014 Signac’s Boldness<\/div>
1890<\/div><\/div><\/a>
\"L'Atelier<\/div>
The Painter’s Studio\u2014Courbet’s Real Allegory<\/div>
1854-1855<\/div><\/div><\/a>
\"L'Origine<\/div>
The Origin of the World \u2014 Courbet\u2019s Utter Audacity<\/div>
1866<\/div><\/div><\/a>
\"Les<\/div>
The Floor Planers \u2014 Caillebotte\u2019s Modern Realism<\/div>
1875<\/div><\/div><\/a>
\"Rue<\/div>
A Street in Paris on a Rainy Day \u2014 Caillebotte’s Urban Masterpiece<\/div>
1877<\/div><\/div><\/a>
\"Le<\/div>
The Bridge of Europe \u2014 Iron and the Modern City by Caillebotte<\/div>
1876<\/div><\/div><\/a>
\"L'Enfant<\/div>
The Sick Child \u2014 Munch<\/div>
1885-1886<\/div><\/div><\/a>
\"Madone,<\/div>
Madonna \u2014 Munch<\/div>
1894-1895<\/div><\/div><\/a>
\"Le<\/div>
The Scream \u2014 Munch<\/div>
1893<\/div><\/div><\/a><\/div>
Room 08<\/span>

1901-1950<\/h2>8 works<\/span><\/div>
\"La<\/div>
Dance \u2014 Matisse’s Primitive Round Dance<\/div>
1910<\/div><\/div><\/a>
\"La<\/div>
“The Woman with the Hat” \u2014 the painting that gave rise to Fauvism<\/div>
1905<\/div><\/div><\/a>
\"L'Entr\u00e9e<\/div>
The Entrance to the Port of Marseille \u2014 Signac’s Light<\/div>
1911<\/div><\/div><\/a>
\"La<\/div>
Death and the Maiden \u2014 Schiele’s Heart-Wrenching Farewell<\/div>
1915<\/div><\/div><\/a>
\"La<\/div>
The Family \u2014 Schiele’s Moving Testament<\/div>
1918<\/div><\/div><\/a>
\"Nu<\/div>
Seated Male Nude \u2014 Schiele’s “Ecorch\u00e9” Self-Portrait<\/div>
1910<\/div><\/div><\/a>
\"Le<\/div>
The Kiss \u2014 Klimt’s Golden Icon<\/div>
1907-1908<\/div><\/div><\/a>
\"Portrait<\/div>
Portrait of Adele Bloch-Bauer I \u2014 Klimt’s “Woman in Gold”<\/div>
1907 (1903-1907)<\/div><\/div><\/a><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"fullwidth","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-873","page","type-page","status-publish","hentry"],"acf":[],"taxonomy_info":[],"featured_image_src_large":false,"author_info":{"display_name":"admin5462","author_link":"https:\/\/horscadre.paris\/en\/author\/admin5462\/"},"comment_info":0,"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"admin5462","author_link":"https:\/\/horscadre.paris\/en\/author\/admin5462\/"},"uagb_comment_info":0,"uagb_excerpt":null,"_links":{"self":[{"href":"https:\/\/horscadre.paris\/en\/wp-json\/wp\/v2\/pages\/873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/horscadre.paris\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/horscadre.paris\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/horscadre.paris\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/horscadre.paris\/en\/wp-json\/wp\/v2\/comments?post=873"}],"version-history":[{"count":2,"href":"https:\/\/horscadre.paris\/en\/wp-json\/wp\/v2\/pages\/873\/revisions"}],"predecessor-version":[{"id":1666,"href":"https:\/\/horscadre.paris\/en\/wp-json\/wp\/v2\/pages\/873\/revisions\/1666"}],"wp:attachment":[{"href":"https:\/\/horscadre.paris\/en\/wp-json\/wp\/v2\/media?parent=873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}